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“Kneading in Silence: A Glimpse Into The Life of Judah the Enslaved Cook.”

National Park Service Ranger Shannon Moeck of Belle Grove and Cedar Creek National Historical Park (and admittedly a friend) has taken some time to work with Kristen Laise, executive director of Belle Grove Plantation to put together a program Shannon titled “Kneading in Silence: A Glimpse Into The Life of Judah the Enslaved Cook.” She did the program on July 30, August 6, August 13, August 20, September 3, September 10, September 17, and September 24. I finally had the time to attend on September 24th.

Shannon was thinking deeply on this subject as she told the crowd of 52 visitors that she included “kneading” because of the work that Judah performed as a cook at Belle Grove Plantation and she included “silence” because of the lack of documentary evidence contemporary to Judah’s life about her. Furthermore “silence” was included because later generations have too often ignored the experiences of those who lived in slavery.

With that context, Shannon began populating the plantation, noting the owner, Isaac Hite had married Nelly Madison (sister of the President) and that the big house at Belle Grove was finished in 1797 and that Hite remarried after Nelly’s death to Ann Maury. Shannon read aloud an August 25, 1785 letter in which James Madison, Senior (father of the President) conveyed 15 slaves to Isaac Hite, Jr. A portion of the letter helps to illustrate the perpetuation of slavery indefinitely as Madison, Senior wrote in part, “To have and to hold the said 15 slaves together with such of their increase as may have happened since the last day of March one thousand seven hundred and eighty two, and all their future increase to the said Isaac Hite Jr. and his heirs forever.”  Just to clarify “increase” means children and “future increase” are the children of the 15 slaves as well and those children’s children and the subsequent generations. All of which Shannon connected back to the 1662 Virginia statute that the condition of the child’s is dependent on that of the mother. So the Hite’s plantation grew from those slaves that Hite, Jr. inherited from his father as well as those conveyed to Hite, Jr. by his father-in-law to the natural reproduction of the enslaved community and also purchasing. Eventually there were some 276 enslaved people at Belle Grove between 1783 and 1851.

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NPS Ranger Shannon Moeck in the basement kitchen.

Shannon asked visitors to consider just the types of work that the enslaved domestic servant staff would have performed at Belle Grove and how we really in the 21st century don’t think often about this work: from making candles to use to see with after dark; to making soap for a variety of tasks; to doing laundry for multiple days instead of a couple of hours with machines to wash and dry.

Still, Shannon notably said that this program would likely cause more questions than answers based on the paucity of source material. It was not, as she noted, a program about slavery everywhere and across all space (time and geography). It wasn’t even a program fully about the life of those enslaved by the Hite family at Belle Grove. It was instead a “glimpse” (again because of the lack of materials) into the life and work of one person: Judah.

Judah was owned by the Bowman family from her birth in 1794. She was purchased by Isaac Hite, Jr. from his cousin, Abraham Bowman about 1816 along with her two children. She served as the cook until her death in 1836. While at Belle Grove, with an unknown man (or possibly men) Judah had ten more children. Because of the lack of information from Judah’s own hand or that even of her children, Shannon passed around small cards with the names of Judah’s children and when they were born. The visitors read the names and birthdates aloud to those gathered as Shannon attempted to “give some voice” to those who had been silenced for too long.

For all those children, only daughter Maria (born February 15, 1825) has a group of children that the documentary evidence sheds light on. Shannon again had visitors read aloud the names of Maria’s children: Emelia (b. Sept. 4, 1844) Amanda (b. Jan. 28, 1847) Willis (b. Aug, 31, 1848), and Ann Eliza (b. Jan. 25, 1850). Shannon asked the audience: “What happened to the other children’s children? Did they have children? Who are the father/fathers of Maria’s?”

While we were in the kitchen underneath the house, Shannon asked us to take a moment and imagine. Imagine the sounds Judah heard from the parlor upstairs while the Hites, their children, and guests would gather within this beautifully decorated and appointed room with carved Corinthian pilasters and carpeted floors. Imagine the heat and relative darkness from this kitchen. Imagine when Judah was pregnant and was lifting pots and pans or cutting up vegetables. She pondered aloud in a way that forced the audience to think too: “How does Judah care for her children?” “Where did Judah live? In this room? In a quarter nearby?”

Weeks before her first program, Shannon asked me how she could better help to showcase the skills of Judah in cooking when there isn’t a lot of evidence from the Hites about their meals on a regular basis. I suggested that she employ a tactic that I have used: read a recipe from a historic cookbook that is tied to the family.

Shannon indeed looked into the Hite family’s records and there was a historic cookbook from which Shannon read a recipe.

Shannon read from one of the pieces of evidence about Judah’s life from Ann Hite, the second mistress of Belle Grove. She wrote to a friend of hers in 1836 about Judah’s death and how awful it was for Judah’s children, the last one, Jonathan was just five weeks old at the time of Judah’s death. She lamented too that she had lost Judah which was an “inconvenience” because of course, Judah had provided many meals for the Hites in their elaborate dining room.

Shannon asked us to consider what “legacy” means to us. She contrasted that with the Hites’ legacy inclusive of furniture, land, silver, a large house, children, and slaves. What then was Judah’s legacy? In large part we don’t know because we don’t have enough information about Judah’s children: unlike that of the Hites. Judah didn’t live to see any of Maria’s children but she knew what all enslaved parents knew: the condition of their children and future generations followed that of the mother. So Judah died and left twelve children as the personal property of the Hite family. She may have had plenty of hope that slavery would end but in 1836, she had no realistic idea of when or if that would ever happen.

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Belle Grove Plantation’s big house.

Several visitors asked good questions at the conclusion of the program and Kristen Laise and Shannon asked people to spread the word that Belle Grove is trying to do to undercover the history of any person who was enslaved at Belle Grove. With Belle Grove now under the leadership of Kristen and the Belle Grove & Cedar Creek National Historical Park, I believe that research will continue and I hope that anyone out there who has information (written or good oral history) will come forward to continue to flesh out the stories of those who could not and did not leave a written record of their life in bondage.

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Civil War History Article

I apologize for the silence lately. I’ve been busy engaging with history (as usual), just not in any way to make a substantial post here.

Today I received my copy of the June 2016 Civil War History. Back in March 2013, I, along with hundreds of others attended the Future of Civil War History Conference. The conference was both fun and enlightening in many ways. I was happy to be on a panel regarding U.S. Colored Troops during the war.

In the aftermath, there were plans for a book length project of essays to address various themes in the conference. Unfortunately, life happened, illness struck, and a host of other decisions that resulted in the book going to the curb. Instead, there would be fewer essays and still, Kevin Levin, Beth Parnicza, and I were asked to participate in an essay. The title of the essay, “Interpreting Race, Slavery, and United States Colored Troops at Civil War Battlefields” appears in this June issue of the journal.
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My section of the essay fulfilled the needs of the article (though I’m still unsure if I like the emphasis on me). What I really am hoping is that people will substitute the historic names of the real people who existed at the sites I help interpret and my name and look at their site(s) and insert themselves and the names of the historic characters at the site(s) that are interpreted. 

The other articles are equally interesting and should challenge those who write history for a living, teach in classrooms (K-12 or college/university), and who work at historic sites to ask themselves and continually ask themselves: how can I use more techniques to reach my audiences to connect with the complicated history of the Civil War era.

Regrettably, the article isn’t posted online. But I think the preview paragraph on the journal’s website gives some hint as to where Beth and I go with our texts. Kevin ably shaped and edited the article so it reads well.

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Interpreting Christmas and Slavery

Let me apologize for the silence. However, I’m back to what I affectionately call “my poor, neglected blog” for a seasonal post.

This week an article appeared about a Christmas program at Gunston Hall, the plantation owned by George Mason (an often forgotten Founding Father) located in Fairfax County, Virginia. The program they had was titled “Plantation Christmas” which is a program about Christmas in the late 1700s. The author notes that various folks on Twitter were critical of the event through the site’s marketing and through a photograph that appeared on Twitter from David DuVal, director of marketing and public relations.

The site’s executive director responded to Mother Jones and you can read the article for yourself. What I’m less interested in is talking specifically about Gunston Hall and talking broadly about interpretive output at Christmas events at historic sites.

I am known around some in the museum community as the guy who hates “cider and cookies programs.” They exist at 17th, 18th, 19th, and 20th century sites from Maine to Florida and from the Outer Banks of North Carolina to California. I actually like cider and I like cookies. However, what is the purpose of these programs? What window do they offer people into the specifics of the historic site or the historic context of the people who lived/worked at this place?

I took this subject on in my work (which y’all know I attempt to steer clear of discussing on my personal blog but I think in this case it is valuable).  We had a program at the Grant’s Headquarters at City Point unit of Petersburg National Battlefield years ago that featured cider and cookies, Christmas carols, dancing on the lawn, Civil War Santa, and kids’ crafts (such as construction paper chains and stringing popcorn and cranberries). In December 2001 (my first year working this program), I decided to insert a lecture about the lives of enslaved people during the Christmas season somewhat broadly but also bringing out information about the folks who lived and worked on the Eppes family’s plantation. I gave the program twice to a group of about 30 people each time.

The next year I suggested canceling the Christmas program to give us time to dig deeper into Richard Eppes’ diary to investigate the specifics of Christmas in the 1850s and 1860s on this plantation. We did not have a program again until 2007. I organized a group of living historians to assist me in representing specific people who were at the Eppes’ plantation (white and black) at Christmas 1858. A loose script was developed and I e-mailed the details of individual enslaved persons, the Eppes family, and their visitors. There were three stations (one in the big house parlor, one in the kitchen/laundry, and one outside on the lawn). This allowed people to hear about the lives of these people and their perspectives during this specific time of year (when a lot of us reflect back on our lives’ broadly, the past year, family, religion, and discuss preparations and gifts).

Gone now was Civil War Santa (it’s the 1850s after all), a Christmas tree (the historic record noted the first Christmas tree in the house in 1866), no more stringing popcorn and cranberries, no dancing (no evidence the Eppes’ did this outside or inside the house), and instead the interpretation happened of this specific site in the context of the 1850s and based in primary source evidence.

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Christmas 1858 (in 2007) with living historians portraying Elizabeth Eppes, Susan Slaughter, and myself as George Bolling.

The program ran the next year and then in 2009 we started following the 150th anniversary of events (2009 was Christmas 1859, 2010 was Christmas 1860, 2011 was Christmas 1861). Each one wrapped in the evidence from Eppes’ diary and other contextual materials where the diary was lacking. There has not been an event 2012-2015 because the Eppes’ plantation complex rapidly disintegrated as a result of the Eppes family’s refugee status during the war and the enslaved people’s desires to be free and their own action of escaping in the spring and summer of 1862 and Union occupation from May 1864 through the end of the war.
A challenging component to any of these programs is shifting the focus back onto the people who lived these experiences: good, bad, and the ugly. For example, Christmas 1858 was a happy period for the person I was portraying, George Bolling who got married having successfully convinced Richard Eppes to allow him to marry someone who wasn’t on the plantation (which Eppes usually did not allow). However, that in and of itself opened the door for the interpreter to discuss with the visitors on these tours the degradation of adults who were enslaved. Black adults asking one man who has decreed in his mind that he should get to say on who others can marry.  George and his wife undoubtedly had concerns within that happiness about the stability of family when a slaveholder might breakup the union. Yet the preparations for the wedding spoke to the power of love to endure great strains.
Plantation sites have a lot of unresolved stories because the people who experienced slavery died long ago with many of those same people not feeling at peace. Our job in being able to connect our sites with the public should strive to not continue perpetuating slights to those whose stories have often been hidden in the shadows.

I agree with the comment of the Twitter user @slwill who asks if the story of the enslaved and the slaveholder are combined. I cannot speak to the program at Gunston Hall (though the site director says that they are committed to finding out more about Mason, the idea of slavery, and the specifics about the enslaved people at Gunston Hall); but, this should be a question always asked by interpreters at sites with connections to slavery. How can we (who work in these sites) help open up conversations with our visitors about the multiple perspectives that slaveholders, overseers, visitors, and the enslaved viewed the “big house,” the associated outbuildings, and the stuff within those buildings? We have to start with being honest about who built and maintained these structures, who cleaned silver and laid it out on dining tables, and the feelings that the enslaved person may have gotten from a pretty piece of art versus that of the slaveholder.
Tours guides and printed literature must carefully have the tone that shows they are serious about being inclusive of the variety of experiences people had on the plantations, in city houses, and at industrial sites. The tours must be grounded in the hard, but rewarding work, of primary source research. The research should be multi-disciplinary combining archival work, historical architectural and historical landscape design, archaeology, and material culture (or in other words–the stuff people owned whether it survives or not). The stories discussed with visitors that come about from this work must also be honest (slave trading, whippings, threats, resistance, etc.), and they must be human (all the people on the plantation have humanity–even negative human traits). Tell the stories of love/heartache, hate, ideas, courage, success/failures, faith, intelligence, beauty, fear, generosity, and creativity. The brilliance of what is often seen in these places of slavery (furnishings and buildings) could only have been sustained through the variety of enslaved persons who built and maintained buildings, planted/tended/harvested crops, dusted furniture, washed dishes, made nails, pried open oysters and turned them into soups and sauces, and washed clothes. These stories must exist alongside the stories of the slaveholders, because that was the lived experience of slavery.

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Museum of the Confederacy and American Civil War Center Merger

Rumors have circulated for the last several months that the Museum of the Confederacy was exploring a merger with the American Civil War Center at Tredegar. Today, the news broke that despite denying it initially, it is true.

In the initial rumors there was outrage from the Sons of Confederate Veterans and a group of Confederate Flaggers (which I refuse to discuss on this blog). In fact, some of my friends and acquaintances (who are not in either of those organizations) are dismayed. Still within this merger, it appears to me that the Confederate Memorial Literary Society is here to stay. It unclear at this moment, how the old museum space will be used (beyond the gift shop) and how many visitors may go to the Confederate Executive Mansion.

The Confederate Executive Mansion in the spring of 1865. Today, this building is surrounded by the Medical College of Virginia creating confusion for the Museum of the Confederacy’s visitors. Image in the Library of Congress’ collection.

It may come as a surprise to some of my readers that I have over the years been a member (and clearly remember not renewing for a while when there was a proposal to move the Brockenbrough-Crenshaw mansion from its original location) of the Museum of the Confederacy. I believe that the institution protects important documents and materials related to the wartime and post-war South through its gamble in creating a separate nation and the methods of remembering the Southern wartime experience. I know some talented folks over at the Museum. Yet, it is clear to me that they have been in a challenging situation with the Confederate Executive Mansion and its neighboring 1970s building now dwarfed by the expansion of the Medical College of Virginia.

The Museum of the Confederacy has had its fair share of interpretive challenges since 1896. Certainly for many decades the issue of slavery and its importance to the Confederate government and many of its white residents was ignored. The impact of slavery on and the notion of freedom among the millions of enslaved people living in the wartime south were also ignored. The 1990s saw the beginnings of changes to the familiar Lost Cause tropes and exploration of race and gender and the new satellite Museum of the Confederacy at Appomattox even explores the memory of the Confederacy and the flags.

Yet, for those who are so outraged, failing to support the Confederate Memorial Literary Society could contribute to the disintegration of the very artifacts and documents you profess to want people to have access to. There has to be a balance between the old line supporters of the Museum and new methods to engage the public. I hope that this will be successful; but, I am going to take a wait-and-see approach instead of throwing my hands up in protest or rolling out a red carpet too early. It remains to be seen if the larger public will throw in their support.

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About “Ask A Slave”

This past week I received approximately 20 people sending me a YouTube web show called “Ask a Slave” by Azie Dungey who portrayed an enslaved maid at Mount Vernon. Through this medium of YouTube she shares some insensitive and not very thoughtful questions asked by people at Mount Vernon (and at a host of other sites that deal with slavery). Like others I appreciate the explanation and intent behind the project. My friends want to know “What do you think?”

The problem I have with this show is that interpreting enslavement in eighteenth and nineteenth century contexts must be taken seriously by the presenter and also by the receiver. Poking fun at visitor inquiries is not the best method of interpreting (to be fair this web show is not claiming to interpret). However, the questions posed by visitors are their (albeit often poorly worded) way to find some information regarding the lives of people of African descent who were enslaved. It is the interpretive staff’s job (and if you’re lucky—their passion) to relay the truth of historical events.

As someone who regularly interprets slavery for employment and as a hobby, I have been asked many of the questions presented in the “Ask A Slave” episodes. Sometimes it is while I am portraying a real or composite character of the eighteenth or nineteenth centuries and other times it is while wearing modern clothing and doing third-person interpretation.

One issue visitors most often return to is why slaves did not run away from a degrading institution. The question, even in first person, should be answered thoughtfully and not flippantly.

Visitor Question at 18th century slave site: “Why don’t you just run away through the Underground Railroad?”

Flippant answer: “What is a railroad?”

Visitor: (internally agitated/angry) “You know what I’m talking about! Harriet Tubman and all that.”

Flippant answer: “Well, I don’t know about any Harriet Tubman or this railroad. Maybe you need to be checked into the insane asylum.”

I received this exact question from a young girl and her father in 2008 when I was portraying an enslaved man in Massachusetts at Minute Man National Historical Park. The event was built around those of us in historical reproduction clothing experiencing (and helping visitors experience) life outside Boston in the summer of 1774 with the port of Boston recently closed.

My friend Neal (at right) and I portrayed a New England slaveholder and his enslaved laborer, Peter, at Minute Man National Historical Park. Here we are in front of the Hartwell Tavern (built 1732-1733).

I was in the Hartwell Tavern, which had reproduction newspapers scattered about. I used the props and encouraged the father-daughter team to really think about where it was that an 18th century enslaved person would go. Through our day-long interactions, the daughter read the reproduction 18th century newspaper for runaway ads. She sometimes read them to me and as she read about red headed, freckled Irish indentured maids or Scottish male indentured servants I had to tell her, “But young lady, you see those people do not look like me. There are not a lot of people who look like me around here (see the 1765 Boston census here).”

Daughter: “Oh.”

She left and came back a while later and said “Well, can’t you get on a ship and leave?”

I said “Oh no! I can’t get on a ship. The port of Boston is closed because of the anger of the people here with the King. Remember that in the newspaper?”

The father and daughter: “Yes.”

Me: “Furthermore it may be a slave ship and then I get sold.”

Family: “Oh.”

Finally I explained (all while never breaking character), that I certainly could not go to Virginia or South Carolina or Georgia for slavery was there. I could go west but what about the Indians and I asked even if I left the colony, where would I land and be free? I asked them whether they liked sugar to which they said they did, the girl (like most kids) loving candy. I asked if she knew who harvested sugar in 1774. She did not. I told her that it was in the Caribbean islands where thousands of slaves worked, most of them only living a few years before dying and then the plantation owners there would bring in more people. We talked about tobacco and rice as well all based on fact but also what my character had heard through the grapevine.

This family walked away with some knowledge about 18th century slavery without reading a 400 page book and in fact, partly discovered through their own work why there were not wholesale disappearances of enslaved people in the 1700s toward some other place. The details about the coming of the Revolution were less important for me than those portraying the Sons of Liberty.

At our mid-19th century historical sites in the context of more vocal anti-slavery people, groups, and the presence of the Underground Railroad, interpreters have to balance why slaves did not run away with other methods of resistance.

All of this reminds me of a post I recently saw through social media where someone asked a friend of mine a very important question:

“What are some intelligent questions to ask a slave [someone portraying a slave is what was meant]?  I’ve wanted to engage some ‘slaves’ in conversation before, but frankly I feel too inadequate.”

Questions to first person characters do require some contextual thought. You should not ask someone portraying Mary Lincoln what it was like to have her husband murdered if you’re attending a program that talks about the Lincolns in 1863. The assassination is two years in the future. The same would be said for not asking someone portraying a slave in Florida what it is like to meet Frederick Douglass. Most enslaved people never met the “famous” folks of the past regardless of race, economic station, gender, etc.

I portrayed an enslaved man who was sent to construct earthworks around Petersburg, Virginia in the summer of 1862. Visitors asked about this type of work and I along with volunteers portraying Confederate soldiers compared and contrasted Civil War defenses with modern day military defenses.

I portrayed an enslaved man who was sent to construct earthworks around Petersburg, Virginia in the summer of 1862. Visitors asked about this type of work and I along with volunteers portraying Confederate soldiers compared and contrasted Civil War defenses with modern day military defenses.

Generally, any question you have is probably one that the interpreter is willing to answer. I’ll tackle some good ones that always need an answer:

  1. Why did the former slaves on this plantation/in this urban dwelling stay here after the Civil War?
  2. What kind of work do YOU do? What kind of work do other people do here? Easily flipped for non-character portrayals to “What kind of work did the enslaved people do here?”
  3. What is the most difficult thing for you each day?
  4. What fears did the enslaved people have regarding their interactions with the community at large and specifically their owner and his/her family?
  5. Can you tell me about your family? (And don’t leave it to the person having a spouse and some kids.) Follow ups: What do grandparents do here? What does your little girl do here? How do you take care of your children? When do you see your siblings?
  6. Where did the slaves live? What happened in the slave quarters? Why were those quarters built there and not somewhere else?
  7. When the slaves here got angry, how did they show their unhappiness?
  8. Have you ever been punished by the owner of this place? (And if the interpreter answers no, ask why not. If yes, the likelihood is the interpreter will tell you.) OR How were the enslaved community here punished? OR I’ve read about whippings but where were other ways that a master/mistress may discipline enslaved people?
  9. What sources do you have about slavery at this place? Did the owner leave records? Are there any interviews done with former slaves who worked and lived here?
  10. What types of food did the slaves eat? When did they have time to eat? Where did they eat?
  11. What will you do now that you’ve been emancipated?

These are just some immediate thoughts that came to mind. Others can be asked if you are in a very specific situation. The more you know the better questions and dialogue you can have with the interpreter(s). Tweaking the above questions will work for a first person conversation or one taking place in the 21st century with 21st century interpretive staff.

Again it bears repeating that this web series is not interpretation and it is not claiming to be; however, “Ask A Slave” may create uncertainty from the public to ask professional or volunteer staff the tough questions about slavery and those people who experienced it in bondage or as the slaveholder. As I visit historic sites from battlefields to plantations to museums in modern buildings dealing with historical events, I continue to be amazed that as much progress as one place has made another site has not.

I welcome questions and comments at work, in other presentations, and here. I ask questions when I am a visitor. I am not asking to simply create a “Gotcha!” moment. I am curious to see if the site has researched the lives of enslaved people and their work because it illustrates that the staff values that information and finds it important to share.

Often the change our historic sites need come from the questions visitors have. Hopefully some of what I have said above will allow all of us to think about what types of questions are we asking. Equally, our staff (professional or volunteer based) needs to be able to intelligently answer in a manner that allows people to get the most meaningful answer to create historical understanding.

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Visiting Biltmore

I was fortunate to go visit Biltmore Estate, home of George and Edith Vanderbilt and their daughter, Cornelia. The house was completed in 1895 and has 250 rooms! Biltmore has an amazing collection of the original Vanderbilt furnishings and conservators and curators have worked extensively on recreating the house’s original draperies, upholstery, and wallpapers. Probably my favorite item in the house (if I were forced to only pick one) is The Chariot of Aurora painted by Venetian artist Giovanni Pellegrini in the 1720s, which was originally in Pisani Palace in Venice.

Biltmore, this particular morning there was some car show out front.

In the second floor living hall (a space in the Vanderbilts’ day where the family and guests could mingle before meals or read and chat), there was an exhibition regarding the work of curators, conservators, and contractors in preserving and interpreting the rooms within the mansion. Museums generally struggle with institutional history so this was a refreshing moment as visitors are usually interested in how we know what we know about décor in historic homes. One of the things that stuck out in my mind is that in restoring the Louis XV Room, conservators spent about 21,000 hours working on artifacts and with the architecture of the room itself in cleaning, repairing small items that had been cracked, or items that needed to be polished. There were places within the exhibit that highlighted Biltmore’s staff working directly with companies as far away as France who had originally produced wallpapers back in the 1890s for George Vanderbilt. Equally interesting was the restoration of a chair, whose original upholstery was found, reproduced, and due to the loss of original stuffing, the new conservation-friendly padding was illustrated.

Another successful exhibition I thought was located in the basement which used photographs to illustrate the construction of the house. Photos showed Vanderbilt and the architect, Richard Morris Hunt and landscape architect Frederick Law Olmsted but emphasized that they were NOT the builders of Biltmore. In fact, this is an area that often sends a chill down my spine on tours when someone says “Such-and-such famous person built said-grand-mansion.” The photos show the workmen, black and white, who built the mansion and gardens. My favorite image showed a youngster and a group of men and the men’s lunch pails.

There was a really well done exhibit “The Vanderbilts at Home and Abroad” highlighting the schools opened by George Vanderbilt in Asheville for elementary age children at one, crafts in another for adults, and a school teaching domestic service to black women. Numerous fine items owned by the Vanderbilts were exhibited too from jewelry to luggage and their luck in avoiding boarding R.M.S. Titanic (but not so lucky for a servant).

Of course, I would be interested in the work of the servants at Biltmore. The house’s formal rooms were constructed in a manner so as to really conceal the work of servants from view of the guests and the Vanderbilts. However, without these folks, there is no way the house could have been a jewel of entertainment. So I will report on the only specialty tour taken in the visit: The Butler’s Tour.

This call button was located on a porch at Biltmore. If pressed, it would ring to the butler’s pantry. I wanted to know, who answered the bell?

First, in the regular, self-guided tour, you go down into the basement where you see four pantries, two walk-in refrigerators, servants’ bedrooms, pastry kitchen, rotisserie kitchen, the main kitchen, a kitchen pantry, the servants’ dining room (where there was a special maid just for the servants), a storage room converted to an organ motor room, work room, and three laundry spaces! A true catacomb of work that may remind my readers of scenes from PBS shows like Upstairs, Downstairs and Downton Abbey, except in this case on an American nouveau riche scale. I was quite curious about the refrigeration system which I learned about thanks to the helpful docent in the main kitchen. She also shared that in a space not seen on this or the Butler’s Tour was an area where ice blocks were created and the system kept the fridges at 40 degrees.

On the butler’s tour, there was a fair amount of discussion of Emily King, the British housekeeper from 1897-1914. King possessed a suite consisting of a bedroom, private bath, and closet, illustrating her role as the highest-ranked servant. In contrast, you’ll find the single bedrooms in the basement. There were a whole host of smaller spaces than the grand rooms where a flurry of activity occurred such as in the butler’s pantry, sewing room, Mrs. Vanderbilt’s closet, among others.

So what about this tour? First, I had an issue with the name of the tour. After 45 minutes and then standing last in the butler’s pantry I asked “What was the butler’s name?” The response: “I don’t know.” I realize that the staff may not have found this information (yet) in family papers, but I felt like if they don’t know the butler’s name then perhaps the tour should be renamed “Emily King’s Biltmore.” It wouldn’t necessarily change what was discussed, but I didn’t learn what the butler did (now, yes *I* know what a butler does but many people who visit may not) or who he was.

Equally disappointing was in the course of the tour there was no discussion of the number of servants employed as well as differences in ethnicity, gender, ages, and marital status (if any). In my estimation a well-rounded tour is one where the visitor can learn something about the lives and work of servants. I found myself curious as to who was Mr. Vanderbilt’s valet? Who was Mrs. Vanderbilt’s personal maid? I asked someone (not on this tour) who said the maid may have been French but she didn’t know the answer as she was in the maintenance department. That lady was very nice who informed me about the cleaning of the rooms by the modern staff but I had hoped the butler’s tour would answer questions such as these.

Our tour guide knew a lot about the technology of the house and did faithfully describe that the Vanderbilts’ personal servants would have traveled with them in their numerous transatlantic trips and that the sewing room was an area for mending the finer clothing of the Vanderbilts or any of their guests. It was cool to see how bright early electricity was (Biltmore always had electricity), to see a bathroom, and hear about the call system.

I really did enjoy Biltmore despite my critiques of the tour. I think they have some amazing rooms to tell the stories of those who owned Biltmore and those worked there. And don’t miss the gardens and the winery for a little relaxation.

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